{"id":37697,"date":"2025-04-24T07:43:44","date_gmt":"2025-04-24T07:43:44","guid":{"rendered":"https:\/\/963media.com\/en\/?p=37697"},"modified":"2025-04-24T07:43:44","modified_gmt":"2025-04-24T07:43:44","slug":"from-silence-to-expression-syrian-culture-in-the-post-regime-era","status":"publish","type":"post","link":"https:\/\/963media.com\/en\/24\/04\/2025\/from-silence-to-expression-syrian-culture-in-the-post-regime-era\/","title":{"rendered":"From Silence to Expression: Syrian Culture in the Post-Regime Era"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Since the fall of the Syrian regime and the country&#8217;s transition into a new phase, the cultural landscape in Syria has been marked by cautious anticipation. Artists and intellectuals now grapple with fundamental questions about the future of creativity and the place of culture in a reimagined Syria.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Even major cultural occasions, once celebrated in Damascus, such as International Theatre Day, passed this year in complete silence. No official ceremonies, no community events. The absence left a widespread impression: culture no longer appears to be a priority for the transitional authorities.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">This impression was only reinforced by a brief statement from the interim government\u2019s Minister of Culture. In his remarks, he outlined two guiding principles for cultural policy: first, dismantling the legacy of the former regime\u2019s cultural system; and second, aligning cultural work with urgent societal needs, emphasising that \u201cintellectual luxury has no place now.\u201d<\/span><\/p>\n<h2 style=\"text-align: justify;\"><b>Despite Fear, Dancing Continues<\/b><\/h2>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">One of the more controversial topics circulating within the arts community has been the rumoured closure of the Dance Department at the Higher Institute of Dramatic Arts.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">The artist Nawras Othman, who currently heads the department, quickly denied the rumours in exclusive comments to the seventh issue of the printed edition of <\/span><b>+963<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">\u201cI was appointed head of the Dance Department in September 2024, and no decision has been made to shut it down,\u201d Othman stated. \u201cOn the contrary, we are working to gradually resume our activities after a temporary hiatus that affected all sectors of life in the immediate aftermath of liberation.\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Othman clarified that the pause was not isolated to his department but part of a broader societal response, rooted in what he called \u201clegitimate fears\u201d. He added, \u201cAfter more than 54 years under a totalitarian regime, it is natural for people to be afraid of what is next. We halted activities for a week, just enough time to reassess and prepare ourselves mentally\u201d.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">His greatest concern, he said, echoed a larger question among those in the performing arts: \u201cWill the new government accept this form of art?\u201d He continued, \u201cNot everyone accepts dance as an art form, nor does everyone permit it. From traditional and folk dance to modern and contemporary styles, many forms remain unfamiliar and often misunderstood by wide segments of our society. Even under the previous regime, gaining public acceptance was difficult. Now, we are starting from scratch\u201d.\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Despite the challenges, Othman remains optimistic. \u201cWe are moving forward, slowly, step by step, toward rebuilding a healthy relationship between the public and this art form,\u201d he said. \u201cDance may still be an elitist art, but it has immense potential for impact. We hope to see it evolve into a broader societal movement\u201d.<\/span><\/p>\n<p style=\"text-align: justify;\"><strong>Read more: <a href=\"https:\/\/963media.com\/en\/17\/04\/2025\/why-did-the-international-coalition-reject-damascus-as-a-partner-against-isis\/\">Why Did the International Coalition Reject Damascus as a Partner Against ISIS?<\/a><\/strong><\/p>\n<h2 style=\"text-align: justify;\"><b>Censorship in Times of the Ousted Regime<\/b><\/h2>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Reflecting on the period before the fall of the regime, Nawras Othman described how the Dance Department at the Higher Institute of Dramatic Arts navigated the tight constraints imposed on artistic expression.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">\u201cCensorship was present in every detail of the show,\u201d Othman recalled. \u201cBut many times, we found clever ways to circumvent it. In my 2023 performance, In the Box, I presented a symbolic vision of the fall of the Assad regime. Because it was a silent show, it slipped through relatively easily\u201d.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">He added, \u201cWhen we were asked to submit a summary or explanation of the work, we would write something entirely different from the actual idea just to get it approved. There was no real freedom of speech under the ousted regime, so we had to find meaning between the lines\u201d.<\/span><\/p>\n<h2 style=\"text-align: justify;\"><b>Partial Clarity, No Aversion to Art<\/b><\/h2>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">On the current cultural atmosphere, Othman offered a cautiously optimistic assessment: \u201cWe have started to see some clarity. Things aren\u2019t completely stable, but there is a relative openness. The aversion to art, and to dance in particular, that we feared has not materialised. The challenge now lies in the unspoken boundaries that might still constrain creativity.\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">He continued, \u201cOne encouraging development is that we have been able to welcome back Syrian artists from abroad, those who were previously unable to return due to the former regime\u2019s policies. We recently held workshops in collaboration with foreign dancers and trainers. It is a promising sign of an opening we hope will continue to grow\u201d.\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><strong>Read more: <a href=\"https:\/\/963media.com\/en\/22\/03\/2025\/turkey-develops-a-comprehensive-support-plan-for-syrias-transport-and-telecommunication-sectors\/\">Turkey Develops A Comprehensive Support Plan for Syria\u2019s Transport and Telecommunication Sectors<\/a><\/strong><\/p>\n<h2 style=\"text-align: justify;\"><b>Syrian Cinema: Accumulated Failures and Timid Indicators<\/b><\/h2>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Syrian cinema, meanwhile, continues to grapple with longstanding obstacles. According to director and writer Nidal Qosha, who also serves as director of the media office at the General Film Corporation, the country\u2019s film industry has been mired in setbacks for decades.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">\u201cDespite being launched more than a century ago, Syrian cinema has yet to establish itself as a real industry,\u201d Qosha told the seventh issue of the printed edition of <\/span><b>+963<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">He traced the turning point to when the public sector entered the production sphere through the General Cinema Corporation, which released its first feature film in 1968. \u201cBy the end of the 1980s, however, we began to see a decline. In some years, not a single film was produced.\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Qosha emphasised that the problem extended beyond limited resources. \u201cThis wasn\u2019t just about weak capabilities. It was also due to a complete lack of cultural vision on the part of the state. Culture as a whole was left in ruins\u201d.<\/span><\/p>\n<h2 style=\"text-align: justify;\"><b>Current Ambiguity and Reassurances of the New Authority<\/b><\/h2>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Despite the uncertainty that continues to cloud nearly every aspect of life in Syria, director Nidal Qosha sees signs of cautious hope.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">\u201cThe overall situation is still hazy, not only in culture, but across the board,\u201d Qosha said. \u201cWhat\u2019s reassuring, though, is that the Ministry of Culture still exists as an institution. There had been proposals to merge it with the Ministry of Tourism or reduce it to a smaller body. But keeping it intact shows that there is official recognition of the importance.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">He concluded on an optimistic note, acknowledging that confusion is a natural byproduct of major upheaval. \u201cThis kind of turbulence always follows big transitions. But I believe things are moving in a positive direction. I hope the future of Syrian cinema will match the scale of our ambitions as filmmakers.\u201d<\/span><\/p>\n<h2 style=\"text-align: justify;\"><b>Cultural Transitional Justice: Toward a New Decade Without Exclusion<\/b><\/h2>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Writer and critic Badie Sunij offers a deeper analysis of Syria\u2019s cultural moment, warning of the gravity of the current phase and calling for a new enlightenment-driven approach in the post-regime era.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">\u201cWhat we have seen so far are scattered individual efforts, not a cohesive cultural project backed by the state,\u201d Sunij told <\/span><b>+963<\/b><span style=\"font-weight: 400;\">. \u201cToday, more than ever, we need a clear cultural vision, one not blurred by the political, social, and economic uncertainty that surrounds us.\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">He continued, \u201cCulture must rise from the ashes and reread the present with deep awareness. We must build a cultural system that reflects the complexities of our reality and allows every voice to be heard, without exclusion or marginalisation.\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Sunij stressed that the foremost task now is to realise what he calls \u201ccultural transitional justice.\u201d Explaining the concept, he said: \u201cWe need an inclusive cultural contract, one that does not replicate the exclusionary practices of the ousted regime. Instead, it must empower all voices to express themselves freely, while upholding the values of social harmony, pluralism, and openness.\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">He added that culture must become \u201cthe first line of defence against the fragmentation that has eaten into every layer of Syrian society\u201d.\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>Since the fall of the Syrian regime and the country&#8217;s transition into a new phase, the cultural landscape in Syria has been marked by cautious anticipation. Artists and intellectuals now grapple with fundamental questions about the future of creativity and the place of culture in a reimagined Syria. Even major cultural occasions, once celebrated in [&hellip;]<\/p>\n","protected":false},"author":110,"featured_media":37698,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard","override":[{"template":"1","single_blog_custom":"0","parallax":"1","fullscreen":"1","layout":"left-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"float","share_float_style":"share-normal","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"g:i a d\/m\/Y","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","show_zoom_button":"1","zoom_button_out_step":"5","zoom_button_in_step":"4","show_post_tag":"1","number_popup_post":"1","show_post_related":"1"}],"image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0","subtitle":"Syrian Culture After Liberation: Between the Memory of Oppression and the Hope of Renaissance"},"jnews_primary_category":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"jnews_post_split":{"post_split":[{"template":"1","tag":"h2","numbering":"asc","mode":"normal","first":"0","enable_toc":"0","toc_type":"normal"}]},"footnotes":""},"categories":[382,19],"tags":[],"ppma_author":[391],"class_list":["post-37697","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinions","category-slider"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.2 (Yoast SEO v28.0) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>From Silence to Expression: Syrian Culture in the Post-Regime Era - 963+<\/title>\n<meta name=\"description\" content=\"Syrian writer and critic, told +963, \u201cculture must rise from the ashes and reread the present with deep awareness\u201d.\" \/>\n<meta name=\"robots\" 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